Archived from the original on 6 November 2014. Archived from the original on 13 December 2021. ^ Rangarajan, Malathi (16 November 2007).^ Rangarajan, Malathi (25 March 2011).Archived from the original on 1 November 2017. Archived from the original on 12 November 2018. "MGR Remembered – Part 27 | 1962 Elections and Aftermath". Archived from the original on 5 March 2018. "✿ "Roja Malarae Rajakumari" ♛ ♥ ~ Popular Song by PB Sreenivas – P.Susheela Duo ♫". Kanthan of Kalki said Ashokan was the only actor who performed well, and criticised the film's other aspects, including the cinematography, art direction and music. The music was composed by Viswanathan–Ramamoorthy. While AVM was generally known for producing drama films with contemporary settings, Veera Thirumagan differed from them by being an "action oriented costume drama". Former child artist Sachu made her debut as lead actress with this film. Saravanan of AVM Productions, and became very close to the AVM clan, he made his directorial debut with Veera Thirumagan. Tirulokchandar earlier wrote the screenplay for the hit film, Vijayapuri Veeran, an adaptation of The Three Musketeers. It’s riveting to see Sunil and Naveen Chandra in meatier roles and they have come out with effective performances.This article needs a plot summary. Subhlaleka Sudhakar, Rao Ramesh, Naga Babu, Eeswari Rao, Eesha Rebba and Supriya Pathak made their presence felt. Nevertheless, it’s a pleasure to see Trivikram Srinivas striking the right note after a lull.Īs for performances, Jagapathi Babu once again reminds us how good an actor he is. On the flip side, the director could have done with some serious pruning, especially in its first half. The much-talked Penimiti song lives up to its promise and complements the mood of the film. Trivikram has allowed his protagonist to play to the gallery with clap-trap dialogues (in Rayalaseema dialect) and gave him many scenes to let his intense eyes talk a lot more. In one of the scenes that got maximum applause from the audience, NTR sprays iron spikes with a drilling machine on the goons and in no time, controls his anger, says sorry to his enemy for the mistakes happened in the past. Trivikram, as a director and writer, has shown his class with emotional and thoughtful dialogues. The second half is the soul of the film and is a winner on umpteen counts. Naresh’s performance as Aravinda’s father is reminiscent of the roles played by Prakash Raj. Some of the comedy sequences and the romantic number (Ananganaga) are passable, while Thaman’s background score remains riveting. The first half is predictable and the screenplay is on the slower side. Raghava gets his second clarion call from her and he seeks the help of a politician to broker peace between the two warring factions. He subdues his anger and befriends Aravinda ( Pooja Hegde), who pursues the anthropological study of factionalism. Sensing that he might be drawn into violence, Raghava leaves his village. However, it isn’t easy to be a peacemonger when you are still seething with revenge to avenge a personal loss. VIEW GALLERY: Here are some stunning photos of Tollywood diva Pooja Hegde All he needs is guidance and he gets the first clarion call from his sobbing Jeji (Supriya Pathak), who talks about how violence has become a part of the family and urging him to walk away from this bloodbath and bring peace in the region like a real man. The director wonderfully symbolises the emotional upheaval of Veera Raghava, who was stuck between vengeance and finding inner peace and purpose of life, had to carry through the rest of the life. When Narapu Reddy’s son Veera Raghava Reddy ( Jr NTR) comes back to his village, a hot-headed Basi Reddy and party creates mayhem and the youngster also steps into the ring to vanquish his opponents. Blood is spilt, blows and curses are exchanged and it goes on and on to settle an old score. Their enmity habitually spills onto the streets when members of either camp encounter the other. He tells the story of two war-ridden families controlled by Kommaddi’s Narapu Reddy (Naga Babu) and Nallagudi’s Basi Reddy (Jagapathi Babu). After a brief hiatus, Trivikram Srinivas, known for his light-hearted family entertainers, has moved out of his comfort zone to tell a story rooted in the land of faction as a new premise through Aravinda Sametha Veera Raghava. For decades, these faction films have served as a paradigm to redefine heroism and a platform to break box office records. From Preminchukundam Raa to Katamarayudu, we have seen several films showing two warring groups striving to gain supremacy over the region by resorting to personal attacks and making pitiful sacrifices. Telugu cinema has an obsession with films which are set against the hinterlands of Rayalaseema.